This is the blog for past and present students of the Writing in Practice course at Jadavpur University Department of English. It's firstly a forum for discussing the course, but also an exchange for creativity in the WIP community. WIP is open to final year UG and PG students and runs in the autumn semester. The course coordinator is Rimi B. Chatterjee (Erythrocyte).
Saturday, December 08, 2012
Story clinic on Monday 10 December
Tuesday, November 13, 2012
Philip Hensher at JU
Philip Hensher is Professor of Creative Writing (that's a dream job description) at the University of Exeter, and he's also one of the UK's foremost LGBT figures (that's LesGayBiTransexual for all you great unwashed).
Be there.
Penny Dolan workshop
Wednesday, October 31, 2012
Dates for Presentation
6th
Debayudh
Mayurakshi
Amita
Utsarjana
Ankita
Deeptarko
Shamik
7th
Anwesha
Kabir
Aparajita
Vinita
Kathakali
Oishani
Bidisha
8th
Aratrika
Aritra
Arshia
Pragati
Raahi
Abirupa
Moinak
Rupsa
9th
Uddalak
Upasana
Manidipa
Avinash
Ritwika
Dhritiman
Biaas
Rajdeep
Arijit
Thursday, September 06, 2012
Sunday, August 19, 2012
Choice Story
He saw many wars. He saw death and destruction and horrible lingering pain. But he learned to survive and keep his head down and not to believe all the fine words that were said on the eve of battle. Even so, in spite of his care, one day he was wounded and laid up in the field hospital with a piece of metal in his leg. And then in fevered dreams the demon came again, This time it had a bunch of grass in one hand, and a clod of earth in the other. 'Choose,' it said. But the boy rose up from his bed and clasped the demon's neck and said, 'No, last time you offered me a choice and look where it brought me. You have to tell me what these things mean. The demon smiled and said, 'You're learning. You know what the coal meant, you've lived it. Would you like to know what the wood meant?'
'Yes,' said the boy.
'Had you chosen the wood, you would have gone down to the bay some day to celebrate your uncle's buying a new plot. Your father and uncle would drink all night in the tavern, and in the morning when the press gangs came they would be passed out under the table. But you would be there, and they'd drag you off to be a grease monkey, climbing the tarry ropes. You'd see many battles, chain shot flying through the air, men burning and jumping into the sea, dead men's eyeballs when the sea spits them out again. Then one day a bullet would catch your leg, and you'd be laid up in the ship's brig, and I'd come to you with grass and a clod of earth.'
'You're a talkative demon,' says the boy. 'Now tell me what these mean.'
'No. Only hindsight sees everything.'
'All right,' said the boy, and grabbed the grass because it was fresh and green.
In time, he healed his wound and was discharged, and limped back home along streets desolated by conflict. He found his farm burned and deserted, and in the centre of the blackened flagstones of the kitchen floor there was a bunch of green grass growing. So he sat by the old well and drank its water, which was sweet, and went into town with his severance pay and bought a plough and a horse. And in time he built the farm back, and married, and had many children and the house was full of laughter and plenty. And then one night the demon came again, and this time he had a white stone in one hand, and in the other a black.
'Oh,' said the boy, who was now a man, 'It's you. Well then, tell me what the clod of earth would have given me.'
'You would have died of your wound.'
The demon extended his gnarled palms, each with a stone on it and said, 'Choose.'
'No,' said the man. 'I've had enough of this game. Suppose I don't choose?'
'Then I will come back night after night and ask you the same question.'
The man's eyes filled with tears. 'Does this mean it's time for me to die.'
'You won't know unless you choose.'
The man took a deep breath. 'I choose the black.'
The demon smiled. 'Then I have to tell you the truth of darkness. had you chose the white, I would have had to tell you the truth of light, but no matter. You only get to hear this once.'
The demon sat comfortably on the edge of the bed and began, 'Everything you see around you is spirit wrapped up tight. This stone, your bed, this earth, it is all the blood of gods who exist far away in the heavens. These gods are so hungry they eat light, they chomp it up for breakfast lunch and dinner, these dark suns. And in their bellies, light is crushed so small it has to craft itself into matter. That is the ultimate darkness of the pit, a darkness so dark there isn't even space for light to shine between the things within it. But that darkness is within you. It's what prevents you from flying apart. It's the still centre of every grain of your body. Without it, spirit flies around like an impotent thing. When you grasp the earth, the dark in your hand is touching the dark of soil, of stone, of slime. Remember that, and maybe in your next life you will hear the truth of light.'
And the demon vanished.
Your exercise: to write a story in which three choices between a pair of symbolic things are offered to the protagonist at three crucial junctures of the story. In each case, the choice must produce wisdom, so that in effect the protagonist travels a path.
Tuesday, July 10, 2012
Friday the 13th
1. Make a character. Three levels are needed for character formation. A. a census form. Name, age, occupation, gender, place of birth, parents, language, class, income etc. B. Timeline of important events till the present. c. Value map: temperament, propensities, tastes, values, dreams, quirks. Definitely do A, and if you are feeling adventurous try B and C.
OR
2. Create a five-sentence plot outline for a horror story.
You can do either one of these.
Saturday, July 07, 2012
Welcome
1. Introduce your main character, ie the person whose point of view you will take.
2. Introduce your subsidiary character who will interact with the main one.
3. Describe the start state.
4. Describe the destabilising force.
5. Describe the resolution.
This is the simplest story-recipe you can have.
Wednesday, March 28, 2012
Robin Hood Reloaded
David Miller of Bedfordshire Uni is doing a project funded by UNESCO on how people see the Robin Hood story. He feels this is specially relevant in these times of financial turmoil and growing poverty in the West. He wants us to help him by brainstorming versions of Robin Hood in India.These could be completely fictional, or based on a real character or person. He suggests Veerappan, but I thought our very own Maoists or Angulimala would be better models. Of course, Robin Hood in this country cannot escape caste, race and class.
Dave wants to produce a book which will have augmented reality (AR) features: that is, when you point your mobile phone at it, new features will pop up, like speech balloons by the character's heads, a hidden layer, an alternative story, etc. So we will also need to generate some visual content. He will do the technical stuff for this.
What he wants from us is storytellers and stories. I think he wants us to do this in Bangla (he hasn't confirmed yet) and with an Indian setting. He has plans for a graphic novel and various other spinoffs as well. I'll try and post his full project note (it's a pdf)
Please comment here if you want to be part of this project.
Sunday, December 11, 2011
Jerome Stern, Making Shapely Fiction
I have a soft copy of Jerome Stern's very useful writing manual Making Shapely Fiction. Any Wripper who wants a copy please comment here and I will send it. If you are registered on the blog I should have your email address.
Tuesday, November 22, 2011
Rajorshi Chakraborti Coming to JU
Here's the official notice from Hachette
Friday, November 11, 2011
Final Reading by Lav Kanoi
Tuesday, November 01, 2011
Tale of a Girl
In the rolling grasslands of the Turkmenian Karakum there roamed a pretty young Bedouin girl called Amira. Many a mad wind of the Hindukush having roared down the mountains with fierce pleasure, have reached the valleys, where, taken aback by the sudden greenness of the grass, the tinkle of bells on four hundred sheep and the scent of Amira’s hastily tied hair, the fierce winds have calmed down to a gentle breeze and have blown over Amira’s face, causing the drops of her brass earrings tinkle against each other in mild appreciation of the world. In situations like these, Amira was foolish enough to laugh aloud to herself and to fling whatever she was holding up in the air, simply for the pleasure of watching the wind carry it away.
The sight of such silliness gladdened Amira’s many grandparents who, seated outside their tents, chuckled quietly among themselves but fell silent as soon as they caught a glimpse of Amira’s father herding his animals across the fields. Amira’s father rode a fine Arabian steed, owned 3 wives, 14 children and a gun which he has never been seen to use but which he polishes regularly and keeps in excellent condition. It was said that he had once made a whole tribe of the deadliest of Tatar bandits flee with a single roar. However, Amira and her brothers and sisters who had almost never heard their father speak, only sniggered among themselves while listening to these stories. With every passing autumn, Amira’s father spoke lesser with humans and more with his animals. He longed to be able to read and this longing produced in him a strange sadness that found no place in the valleys cradled by the harshest of the hills. But since no one in his family had ever believed that a nomadic horseman could desire anything other than a life of valour, they thought that the sadness in his eyes was because of the fact that he had 9 beautiful daughters to marry off and everyone knew that in the valleys where the nomads roamed free and the mad winds calmed down to tease the sequins on the blouses of young girls, eligible grooms were impossible to find.
It so happened that one plain summer afternoon, when the wind was engaged in a merry game with the clothes hanging by the stream, Amira who was sitting nearby and mending a hole on a rug, came to the conclusion that the time was ripe for her to get married. And immediately, the mind of this wandering nomad who had learnt since birth that for her survival she was not to attach herself to any earthly constant, descended with unnatural firmness upon the prospect of losing itself to a man who would be the prince of her dreams. The wicked wind of the valleys murmured their approval and immediately began to flirt with the red silk thread with which Amira was working, making it flutter frantically quite like Amira’s foolish little heart.
The following night, long after all the fires had been put out and the sheep were snoring in their pens, Amira woke up with a start. As the cloth window of her tent flew open at the command of the conspiring winds, Amira saw the shadow of a man standing by the river. Driven by curiosity and shielded by the protection only the innocence of youth can provide, Amira brushed her sister’s sleepy arm off herself and crept out of the tent for a better look. Her eyes followed the moonlight which in perfect harmony with the scheme of the winds led them to the stream. Amira’s heart leapt to her mouth. There was a man standing with his horse on other side of the stream. In the faint light cast by the moon, he appeared to Amira like a warrior prince who had travelled across the mountains and braved the deserts to win her heart and steal her away to his kingdom. His face, half-lit by the moonbeam, showed off the rugged beauty that Amira was convinced came only after having fought many a brave battle. She had only heard of princes like these in stories recited to her by her many aunts and which she herself had recited to her younger sisters more than once. Little did she know then that her heart would one day beat as fast as a galloping Bedouin steed for a prince who could only be found in the fairytales of the nomads of the grasslands. As her knight lifted his face, his eyes, Amira felt, beheld her in the way Husrev’s eyes first beheld Shirin as he watched her bathe, in the fables of Nizami. It was beyond Amira to translate the maneuvers of the mysterious wind of the valleys and so the faint rustle of her skirt, the gentle tinkle of the water of the stream and the murmur of disquiet in the lone camp fire’s flickering light together reached her ears as the quiet and deep voice of her gallant groom to be.
‘Come with me, Amira,’ she heard him say. ‘Marry me and we will ride away to happiness.’
Amira’s cheeks were warm with emotions that had spent a million years rehearsing in preparation for this very moment. Her palms were sweating like the time when she had been caught stealing a sweetmeat by her father. The cunning wind was meanwhile whispering in her ears more words she thought were being said to her by her stranger of a suitor.
‘Fear not, Amira,’ she heard. ‘Only the stream lies between us. Come to my arms. I have been waiting for you since time immemorial.’
A thousand storms raged inside Amira. Outside the sly wind fell quiet in greedy anticipation of her actions. Amira clutched at her scarf, looked at the reflection of the prince on the stream and as if convinced by the promise of the shadow on the flowing water, slowly started walking towards the stream. At the edge of it, she stopped and looked up at her fabled warrior. In the one moment that passed before he silently stretched his hand to help her across the water, Amira felt herself hesitate. The most abnormal feeling of uncertainty strangled her for a moment and she stopped and looked back at the tent she had been sleeping in until a little while ago. The night was deep and though her family was fast asleep Amira felt everyone beginning to stir in realization of her absence. She paused anew driven by the sudden recognition of the fact that she could not swim and the waters were perhaps too turbulent for her to wade through. As if acting on cue, the wind orchestrated every sound in the valley to enter Amira’s ear for a third time as the voice of her beloved.
‘I yearn for the moment when we will be united, my princess. I have travelled far and wide in search of you. I am weary and thirsty. Will you not allow me to drink the water of the stream from your hands?’
Like a wildflower tossed in a winter gust, Amira threw herself on her suitor’s arm as if the very question of her survival depended on it. Clutching at it, she crossed the stream, the cool waters of an unnamed river caressing her ankles as if to say goodbye. She forgot about her father, her sisters, her grandparents, and about the colors in the carpets she and her family had made off the wool of 400 sheep. In front of her stood the traveler, her hand in his, his eyes upon her. The wind, mad once again in raucous celebration, became a fierce gale, blew out the camp fire and made the tents sway to an unheard rhythm. In one of these tents, Amira’s oldest grandfather sighed in his sleep and turned.
-
The next morning when Amira’s father woke up to the cry of one of his sons, the winds smirked and blew over Amira’s raped and lifeless body for one last time before heading southwards.
Soumashree Sarkar, UGIII
Sunday, October 30, 2011
Monday Readings Postponed to Tuesday
Wednesday, October 12, 2011
Presentation Schedule
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Wednesday, September 21, 2011
Dipankar's Character Sketch
Life and Times of Shoshi Thakur-
Internal Timeline in square brackets.
Born Malda Town, 1970, as Ravi. Bihari father fugitive from law. Suspected of plotting to assassinate President. Bengali mother, who marries to escape village squalor.[Learning to stand on own feet early, learning to trust few people.] Till age 9, family of 3 move about from Malda to father's ancestral home in Giridih and from there to Benaras, staying for a few years at each place.[Sees and listens to people from many places. Learns never to settle down, to always be on the move]
Age 10, father is apprehended and shot 'accidentally' while trying to escape, in Benaras ghats.[Responsibility of a mother to look after toughening up Shoshi] Mother and Shoshi come to Kolkata under new names. Mother works in houses for a living, managing to send Shoshi to a school. Shoshi discovers a flair for football and debating.[Finds joy in comradeship in muddy fields and in being listened to by audiences in non muddy rooms] Age 18, enters Presidency COllege. Runs for student elections at 19,winning by big margins.
Age 22, jailed for protesting against police action of lathicharging students at a gathering.Acclaimed student hero.[Popularity, sees good and bad people from many sections of society. Obstinately dreams of changing the world.]
Age 26, runs state elections against the ruling party. Garners support,publicity. People talk about a wind of change. Identity of father discovered, allegations of corruption thrown at Shoshi by ruling party. Shoshi loses elections, resigns from party.[Ashamed at having a secret past he thought unimportant dug out. Devastated that a minor fact as that could remove him from people's favour.]
Age 27, Shoshi marries.[Seeking escape into the domestic.] Age 28, Shoshi leaves wife behind and goes to Tibet. Gains admittance to a monastery in North Tibet. Stays there in a room of his own and writes poetry secretly.
Age 32, Shoshi slips off mountainside and dies while on a search of a lost dog that used to live with him.
Times of Sochu---
Thwarter. Born Martin Goodson in 1930,London to Catholic parents.
25, takes up job of schoolteacher.
40, travels to Ichitaga in North Tibet.
44, Ordination to Sochu.
50, made Chief Abbott of Ichitaga Temple.
68, finds Shoshi dying of dysentery in a Tibetan house. Shoshi's delirious talks of philosophy and history attract him, and he takes Shoshi to his monastery, nursing him back to health and giving him a place to stay.
Trashy Remnants of Stupid Thoughts: Interlude ( or a little something I cooked up for ...
Trashy Remnants of Stupid Thoughts: Interlude ( or a little something I cooked up for ...: words of inspiration: FLOGGING, HONEY, HIGHWAYS, HAND OUT, FELLOW-WARRIORS As the final and twelfth chime of the clock faded away int...
Map Exercise
Stratlin
When all the communists were driven out of Europe and America in 2020, they came to Ecin. The inhabitants of Ecin did not give a shit about communism and let the expatriates stay in a sparsely inhabited area of the country.
Unicornolium
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